Vanity Fair — where the TDS level is so high that they actually wrote an overanalytical piece trying to figure out if South Park is sufficiently anti-Trump — has just sunk what little credibility it had even lower by AGAIN performing over-the-top hype about the former royal couple, Harry & Meghan, that very few normal people have expressed any interest in.
The former royal couple lost their “Sussex” title due to an inability to perform one of the easiest jobs on the planet, which consisted primarily of politely greeting people and not acting like complete jerks. The latter part of the job description appears to have been too much of a burden for the couple to accept, thus resulting in them become a pair of pathetic grifters constantly on the make for entertainment deals which would earn them maximum money with the least effort.
The hype for the ingrate couple deservedly stripped of their royal ranks has been at fever pitch on the pages of Vanity Fair for several years. However, the latest incarnation promoting the deadbeats was so absurd as to result in hype on steroids as you can see in the Tuesday slobbering puff piece, “A Complete List of Meghan and Harry’s Creative Projects, From Documentaries to Unrealized Podcasts.” The staffer who apparently drew the short straw and was stuck with this assignment was Erin Vanderhoof. Her latest effort is not to be confused with her March 27 tongue bath filled with deep concern over a couple few really care about, “Harry and Meghan’s Hollywood Dreams Hit a Speed Bump, but With Love, Meghan Isn’t Dead at Netflix Yet.”
Yes, hardly a month goes by without Vanity Fair insistently promoting the couple. In fact, why wait a month because less than three weeks before that last effort, they published “Meghan Markle and Prince Harry Are Headed To Australia” on March 8. Vanity Fair might as well call themselves the “Harry & Meghan” magazine.
One wonders what sort of “incentive” exists for this level of over coverage. In any case, the latest Harry & Meghan SlobberFest perfectly illustrates the absurd adoration extended to them by Vanity Fair which knocks their credibility from almost none down to less than zero.
Vanderhoof seems to think the public needs to read about all the projects Harry & Meghan have been involved in (and even projects they haven’t been involved in) starting with their Netflix shticks which appear to be about mercifully terminated:
Harry & Meghan (2022, six episodes)
Live to Lead (2022, seven episodes)
Heart of Invictus (2023, five episodes)
Polo (2024, five episodes)
Please stop.
Masaka Kids, a Rhythm Within (2025, 40-minute documentary)
With Love, Meghan (2025, two eight-episode seasons and a holiday special)
The reader has been spared the loving reviews Vanderhoof provided each of these Netflix projects but if you are a glutton for punishment you can read the full reviews at Vanity Fair.
Vanderhoof bizarrely thinks interest in Harry & Meghan is so intense that the public would actually be interested in projects the couple haven’t even attempted yet. I kid you not.
Pearl (announced 2021, canceled 2022)
Untitled “Sociopath Podcast” (never announced)
Meet Me at the Lake
The Wedding Date
Untitled Archewell-Netflix Polo Drama
And, yes, more background information than you would ever care about is provided for each of these non-projects at Vanity Fair.
What Erin Vanderhoof and Vanity Fair don’t seem to realize is that outside of their small liberal celebrity bubble, most people don’t give a damn about the former Sussexes. In fact, there was really only one time the public in general really did enjoy a performance by the heavily hyped pair when they appeared (sort of) in South Park‘s “Worldwide Privacy Tour.”
Enjoy!
