Movies and Films
Rip Up the Script: Review of ‘The Rip’
Netflix had me just where it wanted me this weekend: home. I was one among likely millions of…
Don’t kill the mortgager: Review of ‘Dead Man’s Wire’
The new Gus Van Sant film, Dead Man’s Wire, is the latest entry in what might be called the…
Brigitte Bardot, 1934–2025
To put the death of Brigitte Bardot in the proper perspective, let us consider this fact:…
The dream of Song Sung Blue
The year is young, but you are not likely to encounter in 2026 at the cinema two people who…
Mamet’s worried sigh of relief: Review of ‘The Disenlightenment’
You’ve seen this movie before: a Jewish intellectual who brings not peace, but a sword. This…
In Marty Supreme, Chalamet makes ambition look like destiny
There is something perversely admirable about a person who refuses to apologize for talent and…
Where people got their entertainment in 2025
Entertainment consumption continues to rise to historic highs, and media companies have seen…
Streaming and social costs
For the overwhelming majority of people whose families, jobs, and personal pursuits loom larger…
The Force adrift – Washington Examiner
Looking back at it now, 10 years later, the warning signs were clear from the start — from the…
Three ways Trump’s influence over Hollywood has grown
Forty years after entering Hollywood, initially making small cameos and later hosting his own…
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