Magazine - Life & Arts
Don’t kill the mortgager: Review of ‘Dead Man’s Wire’
The new Gus Van Sant film, Dead Man’s Wire, is the latest entry in what might be called the…
The congressman and the captain
America’s military is massive, and its members are often sent by our government to fight in…
Why government health guidance on alcohol is, and always will be, incoherent
Dr. Mehmet Oz — one of the few members of President Donald Trump’s second administration who…
How did Industry get so good?
Five years ago in these pages, I dismissed HBO’s Industry as an oversexed and often inscrutable…
Seattle rings in the new year with more failed progressive policies
Seattle has a new socialist mayor and new progressive leadership, which means there will be a…
Review of ‘The Nuclear Age’ by Serhii Plokhy
“Nuclear… We can’t let people throw around that word. I call it the N-Word. There are two…
The dream of Song Sung Blue
The year is young, but you are not likely to encounter in 2026 at the cinema two people who…
Mamet’s worried sigh of relief: Review of ‘The Disenlightenment’
You’ve seen this movie before: a Jewish intellectual who brings not peace, but a sword. This…
Review of The Eleventh Hour
When S.M. Arthur, an honorary fellow of the University of Cambridge, wakes up to the…
Stranger Things is the Happy Days of the COVID-19 era
Stranger Things was never meant to end like this, largely because it was never meant to go on…
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