Magazine - Life & Arts
In an artistic manor: Review of the reopened Frick
America has fewer grand homes-turned-museums than Europe, for the perfectly simple reason that…
Canada’s rot from within: Review of Don’t Be Canada by Tristin Hopper
At a time when the president of the United States tells everyone within earshot that he wants…
When the Navy hit the charts
In a recent column, I wrote about my friend, Lt. David Pingenot, who joined the U.S. Navy in…
Seth Rogen’s The Studio satirizes a long-gone Hollywood
The Studio, Seth Rogen’s new auteur project on Apple TV+, deserves credit for openly bragging…
Douglas Murray on a matter of life Vs. death
Russian Jewish novelist Vasily Grosman, who was the first journalist to see the Nazi death camp…
Children of girlbosses: The return of The Handmaid’s Tale
The Handmaid’s Tale burst onto the TV scene eight years ago and launched its sixth and final…
The malaise-free Carter era in American journalism
“I think it would be fun to run a newspaper,” said Charles Foster Kane. But in the telling of…
Adolescence is gripping, beautiful … propaganda
One Sunday morning in October 2007, I woke up without having seen someone brutally stabbed for…
W.G. Sebald’s essays from beyond
When W.G. Sebald died in a car crash in 2001 at the age of 57, he was eulogized by the…
Rob Long: My career avoiding giving career advice
A young friend of mine called me up the other day. He is in the venture capital business and…
TRENDING
